Jan 22
The global museum sector is celebrating the second MuseumSelfie Day this week, as organised by CultureThemes. In preparation, Annelisa Stephan, Manager for Digital Engagement at The Getty, approached Arpad Kovacs, Assistant Curator of Photography, and yours truly with a question I was surprised to find I hadn’t considered before. Read more
Where I write about basic theory behind the selfie on the wonderful Wellcome Collection blog
We invited you, as fellow experts on the #HumanCondition, to add your own idiosyncrasies to our current exhibition by submitting photographs on Instagram for a few of the themes explored in the gallery. As a thank you for your wonderful pictures, this series explores those themes and finds out the roles they play in making us human. This week, Alli Burness takes a look at our collective reflection as she explores the (in)famous selfie.
Selfies receive a lot of bad press. For some, they’re the manifestation of a self-obsessed, narcissistic society. We’re impelled to step back from significant or sombre moments in our lives to share selfies online. These images taken in front of the Mona Lisa, at funerals or even at Auschwitz visualise uncaring, thoughtless moments. But I think there is more to selfies than meets the eye.
Today, the sharing of lived experience is part…
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During my brief return to Australia, I’ve repeatedly explained how strongly my journeys have been shaped by social media. Many times, my path has been directed by social media connections and at other times, they’ve had a significant role in helping me process places and experiences.
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